Join us for a lively, informative presentation of post workflow/tools for indie filmmakers and a pre-Cine Gear celebration of filmmaking's cutting edge innovations.
Come enjoy great info, amazing peeps, poppin' music,
stimulating discussion, delicious food and drink
...and a raffle for AMAZING prizes.
As a freelance Digital Workflow Supervisor, Dane has a deep working knowledge of the camera filmmaking process from lighting units, camera preparation, lens design and and character definition, large data footprint management, on-set color, hi-end studio monitoring, IMAX and what DPs, ACs, DITs, VFX, and Post production personal look for in a Capture system. He is a member of Cinematographers Mailing List, DIT-WIT, a group dedicated to the development of better DIT workflows and a board member of the American Society of Imaging.
MAIN PRESENTATION
Ramy Katrib, CEO at Digital Film Tree and Senior Colorist Dan Judy, will be presenting a full start-to-finish post workflow discussion centered around the Resolve ecosystem. This will include dailies, VFX, online, remote workflows and a step-by-step color correction workflow demo outlining all processes associated with his approach to grading the CW show, THE 100. Additionally, he’ll be touching upon the pros and cons of LUT integration and his experiences over the last 30 years on how to best develop a constructive relationship with creatives while in your bay. Q&A to follow.
Ramy Katrib is CEO of DigitalFilm Tree (DFT) https://www.digitalfilmtree.com. Before founding the award winning post-production and software development company, Ramy started his career as a negative cutter, then telecine colorist. Ramy went on to pioneer digital post and file-based workflows on projects like Cold Mountain and Scrubs. Today DFT is the leading provider of cloud-based post services and software solutions in media and entertainment. Ramy champions a multidisciplinary environment of world-class creative and technical talent working hand in hand to provide clients like ABC, A&E, CBS, HBO, Fox, Netflix, Turner, and Warner Bros. an unparalleled experience. DFT services include color, VFX, remote dailies, editorial, and end to end remote post services.
From his Florida roots through his work in California today, Dan has remained focused on his passion for connecting with clients. With work spanning a wide range of fantasy projects, from his early career on shows like Swamp Thing and Smallville, to his more recent work on The Last Man on Earth and The 100, Dan keeps his feet grounded by focusing on an individual and personal approach to each project. His ranging experience on over 50 projects, and 30-year career in the industry, brings a strong artistic vision to the DFT team.
DigitalFilm Tree is an award-winning post production and software development company. Over 18 years ago, DigitalFilm Tree (DFT) pioneered file-based workflows in the media and entertainment industry. Today DFT is the leading provider of remote, cloud-based post services for productions the world over. DFT champions a multidisciplinary culture of world-class creative and technical talent, providing clients like ABC, CBS, Fox, Netflix, HBO, Turner, and Warner Bros. an unparalleled user experience.